Hammerwatch is one of a number of games I started playing this last Christmas. It has been unplayed in my Steam library for years (I purchased it New Year’s day in 2014 for just over £2). It’s an indie, pixel art, 2D overhead dungeon crawler with loads and loads of enemies to kill. And unlike many games of its ilk isn’t a rogue-like and isn’t quite a twin stick shooter, although it arguably comes close.
The game has six different classes that can be selected and do have a noticeable impact on the gameplay. Each class has a different main attack and skills. And having played the Wizard followed by the Ranger I can say that the class can have an impact on the difficulty too. I found the Ranger easier with a better range on the main attack.
The levels are fairly large, easy to get lost within and can take a while to progress through with big boss battles breaking up the action towards the end of each chapter. Although it’s worth mentioning that while the game has two campaigns included to play through it does also have survival and wave-based modes as well.
I think this is a game that comes alive with other people although unfortunately I only played it solo. Although it’s fun I found the core gameplay loop can get repetitive quickly as ultimately most of the enemies have either one or two attack patterns. There are upgrades and a combo mechanic that can introduce slightly new elements to the gameplay but ultimately this is a very simple kill hordes of enemies and seek keys to unlock new areas. Although there are also some cool secrets to find.
There is a lot of content here and I do think the game has plenty of fun moments. The controls could be better though. This might just be the PC version but I tried both the Steam Controller and a Wireless Xbox 360 Controller. Essentially you have to use Right Trigger or A button to fire your main weapon, whilst using the left stick for movement and right stick for aiming. When you combine this with the extra skills that are on the front facing buttons (by default) it can make it overly complex to get everything working quickly as the gameplay requires. This felt like a game which is crying out for twin stick support. So shooting with the right analogue stick as well as aiming direction. I do think this change would immeasurably improve the gameplay albeit make the game slightly easier.
As an aside I’ve said recently the Steam Controller works well in certain games. Although I didn’t feel this was one of them. With the dual haptic pads, instead of sticks, I was often struggling to aim the 8 directional fire as easily as on dual analogue sticks although there is an almost unlimited customisation for the Steam controller to improves things.
I don’t currently score games as I generally just write up my feelings on the game in question but this would be a hard one to score overall. It is a simple fun old school 2D shooter which has a neat visual style, nice audio, and great ending mechanic to ensure replayability and different modes to enjoy. However it does get samey, repetitive and feel overly simple. However the developer has continued to support the game years after release on PC which is to be commended. I would have personally enjoyed this game more with a better control scheme and I suspect this is more fun when played with someone else. However even just playing on my own I still played through to complete the campaign which is a sign that I had fun with this game.
During the past month or so I have managed to play a few of the indie games from my Steam backlog. Randomly nearly all games that were released in 2012. And of all of them this is by far and away the one I have my enjoyed the most.
Although I have to own up to a mistake. Only upon playing FTL:Faster Than Light recently have I realised I wasn’t playing it quite correctly when I first tried playing the game. At the time I realised that you could upgrade weapons, augmentations and crew members in the numerous stores found in the game. However I hadn’t realised you could actually upgrade the ship to power up things like shields, or weapons from the main screen. Therefore I thought it was a cool roguelike but a bit hard as I struggled in the latter systems. That said I was still able to reach sector 5 and unlock the Engi Cruiser ship!
Once you get the hang of the game (and yes, there is a basic tutorial for dummies like me) what opens up is a fantastic roguelike futuristic space games where you never know how each run of commanding your fleeing spaceship will play out. Whether this is a successful run or where one of the numerous alien ships will bring your run to a crushing end on the next jump.
The game is hard. Even on easy the game will kill you a lot. Particularly to begin with. With over 12 hours of so played I’ve seen my ships get wrecked far too often. The game will let you experience a massive range of emotions and it has some fantastically tense moments where you can literally come back from near death with only one bar of ship health.
There some things the game did which annoyed me or I didn’t like. There is no auto pause on enemy encounters once you’ve clicked on the dialog options. This mean you have to press the spacebar to pause every time which gets annoying quickly. And it would have been nice to see previous runs count in a progression model, even if it was cosmetics or something simple like crew names carrying over. However some of this is perhaps over analysing the game for what it is.
And for me of all the indie games I’ve played I think this is one of the best examples I have ever played. Although not a huge fan of rogue-like games it’s hard not to appreciate how beautiful, simple yet complex and wonderfully diverse this game is. The highest compliment is that it makes me want to check out the developer’s next game (Into the Breach) even before seeing all the rave reviews that game has received.
Superbrothers: Sword & Sworcery EP was first released in 2011 for iOS, although on PC it wasn’t released until the following year. A bit like Dear Esther which I reviewed recently it’s been in my Steam library since 2012 after picking it up from a Humble Bundle at some point. Also like Dear Esther it isn’t a long game, taking under 5 hours to play through.
The game can be best described as an indie 2d adventure game with some puzzle elements and a small amount of action. However some of these felt more like a rhythm action game in certain sequences. Without saying too much the story centres on one character who ventures into the mountains shortly after coming across some non-player characters in the game. The story is split into parts which you must complete.
Audio is an absolute strength of the game, both in the soundtrack and the sound effects. The pacing as well, being perfectly in-tune to what was going on in game. A professional musician helped with the soundtrack and it shows. There is a fantastic pixel-like style to the graphics and the whole package is just very well put together, particularly for the less than five pounds the game sells for on Steam (in the UK). It is a very pretty and charming game than made an impact with me.
That said there are two main issues I saw with the game. Firstly the controls on the PC version didn’t feel great. The biggest issue is that the touch screen controls have simply been mapped to the mouse with no use of keyboard of even joypad controls. This lack of direct control really dampened the experience for me. It plays more as a point and click game but at times I was having to click more than once because mouse clicks simply weren’t registered because of the touchscreen controls expecting you to hold down rather than press quickly. On top of this in fights I couldn’t be precise when needed to and therefore resorted to mashing the mouse button which made these parts more irritating than they should have been.
Secondly the game time-gates content to a real world clock. You can adjust your clock settings although you lose a perfect percentage score at the end. And there is an in-game mechanical for changing phases however this is broken (whether intentional or otherwise) if events have been completed in a certain order. This meant I had to wait over a week just to be able to progress the game. I’m not sure that was really necessary. Other than that some of the puzzles aren’t about logical deduction and become simple trial and error.
This is probably a game best experienced on touch screen and portable devices not just because of the controls that have been designed around a tablet but also the gameplay which is suited as a more casual experience and therefore something you can enjoy on the move. Overall a really abstract, weird and unique experience that I enjoyed for the most part.